In the end Whitman seems to give more credence to shared experience than Coleridge does. You get on your bus or train or ferry or dirigible, hope against hope for a seat to yourself, and, if you find one, you make sure to take up as much space as possible so that no weirdos sit next to you.
The evil traits of guile, anger, lust, greed, cowardice, and hate that he, like all people, possess. In the first case, the goal in life is to work hard to be accepted by the standards of others. Leaves of Grass is his signature collection, but it continued to evolve as Whitman returned to it again and again, adding new poems and performing significant "touch-ups" on the old ones.
Whitman was a tireless some might say shameless self-promoter, and you could attribute some of his more sensational poetic tendencies, like the frequent use of exclamation marks, to that knack for grabbing attention that he honed as a journalist.
The circular flow from the physical to the spiritual connotes the dual nature of the universe. Out of nowhere, and sounding like Don Corleone from The Godfatherhe says we, the readers, have reached an "understanding" with him.
He assumes that they see the same things he does, and that they react in the same way, and that this brings them together in a very real sense.
He thinks about the people who will make the same crossing many years from then. This volume came out inas did yet another edition of Leaves of Grass, expanded to include more poems.
It symbolizes continual movement, backward and forward, a universal motion in space and time. The suggestion that Whitman offers as a means of becoming distinguished, or obtaining an identity, is to live a life of self-satisfaction.
From a moral point of view, it means that there are two mutually antagonistic principles in the universe — good and evil. These things will exist even in a hundred years.
Another technique Whitman uses to create this intimacy is that of the rhetorical question, drawing the reader into his thought process: Rather than thinking about writing "an essay" in general terms on the poem, I would recommend you begin by narrowing that down.
Public transportation is rarely about getting your kumbayayas out. What is the count of scores or hundreds of years between us?
The reference to fusion "which fuses me into you now" is the basic ideal the poet sought in the beginning. Curiously this leads Whitman to turn to the physical as a locus for identity: In section 6 the poet tells us that he has been engulfed by the same "dark patches" of doubt which have engulfed the reader.
This journey of the spirit can take place easily in a universe which is harmonious and well adjusted. In the end, the speaker affirms that the physical world provides the parts that make up the spiritual world, including eternity and the Soul.
He witnessed both the apex and the abolition of slavery. The poet is on the bank, and he observes the ferry as well as the passengers, whom he expands to symbolize the large united self of mankind. Distinguishing oneself from the mobs of society can be next to impossible when every other human is competing for the same recognition with their own similar accomplishments.
Saw how the glistening yellow lit up parts of their bodies and left the rest in strong shadow, Saw the slow-wheeling circles and the gradual edging toward the south, Whitman uses this technique throughout the lengthy third stanza.
Speaking perhaps to future readers like us, he announces, "I am with you. He also repeats the idea that we are at the same time part of something, and yet detached from each other: We understand then do we not?Crossing Brooklyn Ferry by Walt Whitman.
Crossing Brooklyn Ferry Learning Guide by PhD students from Stanford, Harvard, Berkeley. Through the use of simple diction, Whitman is able to traverse both time and distance and connect with his readers as so few other poets can.
His mastery of verbiage draws readers into the poem, as few other poets can. In “Crossing Brooklyn Ferry,” Whitman creates a vignette into the Brooklyn of. Leaves of Grass study guide contains a biography of Walt Whitman, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.
Whitman alternately deals with themes of individuality and collectivity throughout Leaves of Grass, but in "Crossing Brooklyn Ferry" he seeks to understand.
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Get feedback on grammar, clarity, concision and logic instantly. "Crossing Brooklyn Ferry" by Walt Whitman Essay - "Crossing Brooklyn Ferry" by Walt Whitman Recurring Images and Motifs in "Crossing Brooklyn Ferry" In the poem "Crossing Brooklyn Ferry" by Walt Whitman, there are many recurring images and motifs that can.
A summary of “Crossing Brooklyn Ferry” in Walt Whitman's Whitman’s Poetry. Learn exactly what happened in this chapter, scene, or section of Whitman’s Poetry and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Walt Whitman’s poem, “Crossing Brooklyn Ferry”, describes the poet musing about the connection between the past, present and future as a continuous thread of experience.Download